The swirling surrealist dreams of Man Ray are high-water marks of 1920s avant-garde cinema, a nexus of cryptic themes, dark eroticism, and playful abstraction. Seemingly plucked from an unconscious realm, these four shorts—Le retour à la raison, Emak bakia, L’étoile de mer, and Les mystères du château du dé—find the visionary artist experimenting with the limitless possibilities of montage, superimposition, distortion, and even the application of objects directly onto celluloid. Set here to an ethereal score by the Jim Jarmusch–Carter Logan collaboration SQÜRL, these cine-poems are optical carnival rides that surprise, delight, and unsettle with each tantalizing frame.