Let The Corpses Tan
Let the Corpses Tan is a deliriously thrilling homage to Spaghetti Westerns and 1970s Italian crime films. Belgian filmmakers Hélène Cattet and Bruno Forzani trade in the crushed velvet and creeping shadows of their giallo-worshipping first two films (Amer, The Strange Color of Your Body's Tears) for blistering sun, creaking leathre and raining bullets. After stealing a truckload of gold bars, a gang of thieves absconds to the ruins of a remote village perched on the cliffs of the Mediterranean. Home to a reclusive yet hypersexual artist and her motley crew of family and admirers, it seems like a perfect hideout. But when two cops roll up on motorcycles to investigate, the hamlet erupts into a hallucinatory battlefield as both sides engage in an all-day, all-night firefight rife with double-crosses and dripping with blood. Based on a classic pulp novel by Jean-Patrick Manchette and Jean-Pierre Bastid and featuring vintage music cues by Ennio Morricone, Let the Corpses Tan is a deliriously stylish cinematic fever dream that will fire up your senses like buckshot to the brain.
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Special Features: Audio commentary by film critic Alexandra Heller-Nicholas and Queensland Film Festival Director John Edmond | Trailer
Let the Corpses Tan is a deliriously thrilling homage to Spaghetti Westerns and 1970s Italian crime films. Belgian filmmakers Hélène Cattet and Bruno Forzani trade in the crushed velvet and creeping shadows of their giallo-worshipping first two films (Amer, The Strange Color of Your Body's Tears) for blistering sun, creaking leathre and raining bullets. After stealing a truckload of gold bars, a gang of thieves absconds to the ruins of a remote village perched on the cliffs of the Mediterranean. Home to a reclusive yet hypersexual artist and her motley crew of family and admirers, it seems like a perfect hideout. But when two cops roll up on motorcycles to investigate, the hamlet erupts into a hallucinatory battlefield as both sides engage in an all-day, all-night firefight rife with double-crosses and dripping with blood. Based on a classic pulp novel by Jean-Patrick Manchette and Jean-Pierre Bastid and featuring vintage music cues by Ennio Morricone, Let the Corpses Tan is a deliriously stylish cinematic fever dream that will fire up your senses like buckshot to the brain.
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Special Features: Audio commentary by film critic Alexandra Heller-Nicholas and Queensland Film Festival Director John Edmond | Trailer
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Let the Corpses Tan is a deliriously thrilling homage to Spaghetti Westerns and 1970s Italian crime films. Belgian filmmakers Hélène Cattet and Bruno Forzani trade in the crushed velvet and creeping shadows of their giallo-worshipping first two films (Amer, The Strange Color of Your Body's Tears) for blistering sun, creaking leathre and raining bullets. After stealing a truckload of gold bars, a gang of thieves absconds to the ruins of a remote village perched on the cliffs of the Mediterranean. Home to a reclusive yet hypersexual artist and her motley crew of family and admirers, it seems like a perfect hideout. But when two cops roll up on motorcycles to investigate, the hamlet erupts into a hallucinatory battlefield as both sides engage in an all-day, all-night firefight rife with double-crosses and dripping with blood. Based on a classic pulp novel by Jean-Patrick Manchette and Jean-Pierre Bastid and featuring vintage music cues by Ennio Morricone, Let the Corpses Tan is a deliriously stylish cinematic fever dream that will fire up your senses like buckshot to the brain.
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Special Features: Audio commentary by film critic Alexandra Heller-Nicholas and Queensland Film Festival Director John Edmond | Trailer